Fresher's Fair. Art college.
with the fake degress i say we get a copy of maybe magdas (ryan doi you have a number for magda?)? maybe i can find another from somebody else.....i think we blank the name of the degree so we can fill "BA (hons) Sculpture" and there name. we could write this on with a quill?
i will post any emails from the kunstsubmission email.... and am also on the case with "creaming the crop".
i will post any emails from the kunstsubmission email.... and am also on the case with "creaming the crop".
the only number i have for M. is in the NM section. i tried to call but she didn't answer.
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- stephengoodall
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right well i have info for lucy mackenzie, mike bowdidge and will hopefully get something from ola rek tomorrow.
what slipped my mind, however, is that before that we have the two cryptic shows "sweet shop" and "potlatch" which we have no info or contacts for.
maybe we could just say, "these shows must be seen to be believed"...
or does anyone have any idea who is doing them?
what slipped my mind, however, is that before that we have the two cryptic shows "sweet shop" and "potlatch" which we have no info or contacts for.
maybe we could just say, "these shows must be seen to be believed"...
or does anyone have any idea who is doing them?
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Also, for the stall, remember how in freshers week you get bombarded with freebies that all end up in the bin - things like badges&pens are more likely to be ignored than booklets&party invites. ALSO if someone makes a flier for the event (if you're all still into that) I can distribute it at Leith school of Art because I know people there, I can contact Telford and Stevenson as well. Napier does varieties of design courses and their freshers week starts on the 24th. So.
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Yeah that is a good idea- Martin can you do a flier as well?
are we doing a seperate event? If so we could project a slideshow of snapshots of people recieving their fake degrees. might be funny.
below is the artist info for the three shows we know about.
ok here goes.
Drawing on the imagery of nature and folklore, Ola Rek's installations evoke the tranquil yet uncanny atmosphere of a woodland setting. For this show, the remains of trees and plants will be relocated within the gallery to create a contained bubble of organic forms. In forcing these natural artefacts to exist outwith their usual environment Rek simultaneously forces the gallery patrons to reconsider their own.
Mike Bowdidge uses found objects to extemporise large assemblages, structures which evolve from a direct interaction with the materials at hand. In "Lost and Found" the Artist sets out on a series of unexpected artistic departures and arrivals, which at most may shed some dim light on the reasons for making the journey in the first place
Lucy Macdonald and Gregory Barrow, Both undergraduate painters based in Glasgow, use varied platforms to explore relationships between painting, the image and the real. This investigation comes about through the deliberate distortion and disruption of both image and formal convention.
are we doing a seperate event? If so we could project a slideshow of snapshots of people recieving their fake degrees. might be funny.
below is the artist info for the three shows we know about.
ok here goes.
Drawing on the imagery of nature and folklore, Ola Rek's installations evoke the tranquil yet uncanny atmosphere of a woodland setting. For this show, the remains of trees and plants will be relocated within the gallery to create a contained bubble of organic forms. In forcing these natural artefacts to exist outwith their usual environment Rek simultaneously forces the gallery patrons to reconsider their own.
Mike Bowdidge uses found objects to extemporise large assemblages, structures which evolve from a direct interaction with the materials at hand. In "Lost and Found" the Artist sets out on a series of unexpected artistic departures and arrivals, which at most may shed some dim light on the reasons for making the journey in the first place
Lucy Macdonald and Gregory Barrow, Both undergraduate painters based in Glasgow, use varied platforms to explore relationships between painting, the image and the real. This investigation comes about through the deliberate distortion and disruption of both image and formal convention.
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This is from current issue of modern painter , which be of interest to discussion about art schools
http://www.modernpainters.co.uk/artschools/
http://www.modernpainters.co.uk/artschools/
Rethinking Art Education
Introduction by Steven Henry Madoff
In recent years the role of the art school has moved to a position of prominence, pushed there by the encroachments of an aggressive marketplace and the professionalization of every aspect of the artworld, from the dominance of gallery and museum brands, to the cultural tourism of art fairs and biennials, to today's art itself now so often created precisely for the scale, spectacle, and capitalization of these events.
Under such pressures, art education has become the subject of widening debate, raising a range of issues and questions. To whom should the academy be responsible? Presumably to its students and faculty. But what about to its local community, as a social stakeholder? To the global community, on which it makes its mark as a moral authority or as a talent factory? Should the art school be a research center that enlightens conceptual practices while de-emphasizing skills, or a course of study in entrepreneurship, presentation, strategic thinking, and other matters to prepare young artists for the ruthlessness of the market? Or is art school in the 21st century simply the physical surrogate of MySpace and YouTube—the spawning ground as social network?
Of course there are numerous ways to answer these questions and many others—and a range of conferences and publications attests to this. As an outgrowth of my involvement with a series of international symposia sponsored by the Anaphiel Foundation in Miami, I recently brought together two of the most distinguished artists and art teachers alive today, John Baldessari and Michael Craig-Martin. Their conversation captures some essential lessons from their experiences over 30 years at CalArts and UCLA, and Goldsmiths College in London, respectively. And in their voices we hear the seriousness, wisdom of hindsight, and risible memories of two old pros whose improvisations and practicality still shed light on the issues facing art schools now. Lane Relyea lays out many of these with vehement clarity (and more than a few moments of j'accuse), describing exactly what is at stake in this continuing conversation, and what alternatives are in play to rehabilitate the noble, broken, and endlessly malleable legacy of art education. One of the more interesting questions concerns the very nature of the academy: Do we even need this centuries-old institution anymore? Claire Bishop suggests that the very concept of the art school is being eroded by new initiatives that artists and collectives are establishing—initiatives as fluid, itinerant, and potentially expansive as the artworld itself.
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maybe it would be cool to write a bit about "the institution" as per martin's quote above and include it in the booklet or seperate? also details alternatives to traditional art school education/ its relevance in a contemporary scene which constantly moves further away from what art schools are all about.
what do people think. happy to write it.
what do people think. happy to write it.
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Ive got a wee bit to do on the booklet , i get it posted up on Monday .
I like the idea of using the text from modern painter ,maybe a poster . it a shame i can get the rest of articles up too .Its good food for thought
I think it relates to the forest position as a arts center and what we are offering to art students as an alternative or as i would like to say "the difference" in that its self funded and answers to itself and has an audacity to survive .WHere other venues are at the mercy of patrons or the Scottish art council .Within these venues the issues of social change them self are played out for example Chad McCail exhibition at the fruit market , which for me the ideas within the work itself are only representation of the ideals rather then a manifestation of them , which i would say that the forest is. For the ideas are embodied with the place , its a work in progress , or as deleuze and Guatttari wrote ," Its not enough to say "long live the multiple" "
I like the idea of using the text from modern painter ,maybe a poster . it a shame i can get the rest of articles up too .Its good food for thought
I think it relates to the forest position as a arts center and what we are offering to art students as an alternative or as i would like to say "the difference" in that its self funded and answers to itself and has an audacity to survive .WHere other venues are at the mercy of patrons or the Scottish art council .Within these venues the issues of social change them self are played out for example Chad McCail exhibition at the fruit market , which for me the ideas within the work itself are only representation of the ideals rather then a manifestation of them , which i would say that the forest is. For the ideas are embodied with the place , its a work in progress , or as deleuze and Guatttari wrote ," Its not enough to say "long live the multiple" "
lets meet.
i am on it with the fake degrees.
priniting wise if it needs to be colour we can use the eca printers for 20p a sheet. maybe copy cat can do it better but i think not. i can pint some of the flyers that i made at eca. i will fit 4 on a sheet and they will be sweet colour (5p each)
i will wait for more oks
x
i am on it with the fake degrees.
priniting wise if it needs to be colour we can use the eca printers for 20p a sheet. maybe copy cat can do it better but i think not. i can pint some of the flyers that i made at eca. i will fit 4 on a sheet and they will be sweet colour (5p each)
i will wait for more oks
x
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I can bring it to Copy Cat or the ECA, if you like?
we need a color printer, huh?
r
we need a color printer, huh?
r
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www.ryanvanwinkle.com
awesome booklet and very nice text indeed. one of the best texts ever written on a forest thing i think..
i like what you put in your post too martin, describing the idea of 'the difference', and the piece in many ways never ending and the process of creation being more important.
Chad McCail is very fucking good, in forests first ever exhibition, we had a small piece by him in quite different style to those you post there, delivering a strange morality tale/ or maybe a kind of symobolic representation of a (our?) society, that was very amazing/incomprehensible to me at the time.
what does 'long live the multiple' mean? is that a reference to warhol and factory? and making money?
i like what you put in your post too martin, describing the idea of 'the difference', and the piece in many ways never ending and the process of creation being more important.
Chad McCail is very fucking good, in forests first ever exhibition, we had a small piece by him in quite different style to those you post there, delivering a strange morality tale/ or maybe a kind of symobolic representation of a (our?) society, that was very amazing/incomprehensible to me at the time.
what does 'long live the multiple' mean? is that a reference to warhol and factory? and making money?
Maybe it could work? But it will be a kaleidoscopic blend of mysterious shadows and rainbow hued-dreams seen through compassionate tears.
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thanks
I like chads work alot , I thought his work would be cool at forest and i guess it has been . he has quite an interesting project combining his work "spring" with computer animation and using free software .
http://www.spring-alpha.org/pages.php?content=story
their is also an interesting essay marrying social activism , free software movement and art , by francis mckee
http://www.spring-alpha.org/pages.php?c ... lk#francis
the image below is the work of chads that i was trying to find for the last post > when chad did a lecture at greys , he talked about the tension about hanging work like this in a gallery with curators , hanging staff and somebody else cleaning the toilet . the gallery system paying lip service to the work .
In regards to the long live the muliply , am not so sure about the multply. but my understanding of it is like playing a record at any speed you like , rather than sticking to the convention of playing it at 33 1/2 in that things has mulitply of uses rather than the prescribed normal use ,i like to play stuff really slow untill its just sludge ,why not i think !
an excerpt or the essay i nicked the quote from is here
http://www.gseis.ucla.edu/courses/ed253 ... leuze.html
I was more interested in the part "it not enough to say (insert slogan) like the paying lip service to chads work ,
martin
I like chads work alot , I thought his work would be cool at forest and i guess it has been . he has quite an interesting project combining his work "spring" with computer animation and using free software .
http://www.spring-alpha.org/pages.php?content=story
their is also an interesting essay marrying social activism , free software movement and art , by francis mckee
http://www.spring-alpha.org/pages.php?c ... lk#francis
the image below is the work of chads that i was trying to find for the last post > when chad did a lecture at greys , he talked about the tension about hanging work like this in a gallery with curators , hanging staff and somebody else cleaning the toilet . the gallery system paying lip service to the work .
In regards to the long live the muliply , am not so sure about the multply. but my understanding of it is like playing a record at any speed you like , rather than sticking to the convention of playing it at 33 1/2 in that things has mulitply of uses rather than the prescribed normal use ,i like to play stuff really slow untill its just sludge ,why not i think !
an excerpt or the essay i nicked the quote from is here
http://www.gseis.ucla.edu/courses/ed253 ... leuze.html
I was more interested in the part "it not enough to say (insert slogan) like the paying lip service to chads work ,
martin
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am going to do the program as a flyer , rather then put it in the booklet figuring it will date the booklet ,
steve what your feeling on the derrida use of the word differance , am messing about with the idea of it in a poster . it was a mistake by me ,
steve what your feeling on the derrida use of the word differance , am messing about with the idea of it in a poster . it was a mistake by me ,
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- stephengoodall
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the poster is smart. I like how usually someone will put a pristine geometric shape central and have the organic, irregular shapes around it- representing that amid the crazyness of our perceptions there is an ultimate truth, but here there is a perfect geometric grid surrounding an irrational irregularity, which almost looks like a missing piece or a gap, which seems to fit in nicely with my experience of "differance"
as far as my knowledge extends differance is a play on the fact that the the french verb for differ is the same as for defer.
it's quite a clever play on words because it points out that signs do not conjour up something in themselves, i.e have an interior essential meaning of their own, rather, meaning itself is produced by one sign's differEnce form another. Hence cat only refers to "cat" because it is not "cap" or "sat", to use the typical example.
So, if meaning is dependant on the context of the signification system and is not essential or unitary and not contained within the sign itself. In this way, signs are constantly deferring/postponing their meaning to other signs which in turn are constantly deferring etc. This process is what prevents us from establishing a non- arbitrary link between language and things, and hence arresting the experience of a total and unitary Real.
This is the process that Derrida called Differance (i think the a has an accent btw.)
because differAnce differs from differEnce, and dEfferance, but is entirely dependant on them for meaning, hence defers to them also.
as far as my knowledge extends differance is a play on the fact that the the french verb for differ is the same as for defer.
it's quite a clever play on words because it points out that signs do not conjour up something in themselves, i.e have an interior essential meaning of their own, rather, meaning itself is produced by one sign's differEnce form another. Hence cat only refers to "cat" because it is not "cap" or "sat", to use the typical example.
So, if meaning is dependant on the context of the signification system and is not essential or unitary and not contained within the sign itself. In this way, signs are constantly deferring/postponing their meaning to other signs which in turn are constantly deferring etc. This process is what prevents us from establishing a non- arbitrary link between language and things, and hence arresting the experience of a total and unitary Real.
This is the process that Derrida called Differance (i think the a has an accent btw.)
because differAnce differs from differEnce, and dEfferance, but is entirely dependant on them for meaning, hence defers to them also.
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Re: Fresher's Fair. Art college.
we ve been asked to do this again this year ! the application is in the post . what we gonna do this time !
Heaven is a disaster
Lambchop , The Saturday option .
Lambchop , The Saturday option .
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Re: Fresher's Fair. Art college.
yeah lets do it again do we know the date?
maybe we should bring the free shop with us.
or we could dress in art crowd camoflage.
maybe we should bring the free shop with us.
or we could dress in art crowd camoflage.
First there is a mountain, then there is no mountain, then there is.
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Re: Fresher's Fair. Art college.
no date as of yet , we need to fill out the form , i would hope to be down stairs this time
Heaven is a disaster
Lambchop , The Saturday option .
Lambchop , The Saturday option .
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Re: Fresher's Fair. Art college.
the form is in tk box , i like the idea of the free shop , we could also do t shirts for it . tkmaxxx
Heaven is a disaster
Lambchop , The Saturday option .
Lambchop , The Saturday option .
Re: Fresher's Fair. Art college.
i think it needs to be downstairs or not at all. jessie who used to team art with the art team is head of the college this year. she is cool so i'm sure if you speak to her it'll get sorted.
we still got them degrees kicking about?
what else?
i have an image which is of a bronze caste letter F which i made to look like the side entrance edinburgh collage of art sign. it looks funny and points fun at the collage.might be good. also i now have a degree from them we could copy real good this time if we want.
i felt that generally this event was fairly tame last year, not that it needs to be, but everyone there was pretty bored looking. maybe if at least we take or do something to engage the other people there who are showing off their stuff? hiring paintballing stuff for example.
we still got them degrees kicking about?
what else?
i have an image which is of a bronze caste letter F which i made to look like the side entrance edinburgh collage of art sign. it looks funny and points fun at the collage.might be good. also i now have a degree from them we could copy real good this time if we want.
i felt that generally this event was fairly tame last year, not that it needs to be, but everyone there was pretty bored looking. maybe if at least we take or do something to engage the other people there who are showing off their stuff? hiring paintballing stuff for example.
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Re: Fresher's Fair. Art college.
i think we defo need to be downstairs , it was shit last time being up the stairs .although we made the most of it
Heaven is a disaster
Lambchop , The Saturday option .
Lambchop , The Saturday option .
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Re: Fresher's Fair. Art college.
Personally I think we should all dress up as Tr*cey Em*n - i.e. flip-flops, bikinis, aprons, paint brushes and curly wigs (see the pic in the EAF book)... what we should do then apart from pull THAT face is beyond me though... encourage them to do the same perhaps?
And no, it wouldn't be 'a drag' (*sigh*)...
And no, it wouldn't be 'a drag' (*sigh*)...
Re: Fresher's Fair. Art college.
as a fellow kentish lass i'm not sure i agree with this.....there is nothing wrong with the apron / flip flop look!
i prefer smocks and long beads with strings attached to my glasses
i prefer smocks and long beads with strings attached to my glasses
I saw two shooting stars last night, i wished on them, but they were only satellites.
is it wrong to wish on space hardware?
(Billy Bragg)
is it wrong to wish on space hardware?
(Billy Bragg)
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Re: Fresher's Fair. Art college.
I never said there was anything wrong with it - on the contrary I think it is more than worthy of imitation! I'm totally (well, almost totally) serious about this...
Re: Fresher's Fair. Art college.
regarding the raffle prize i think it should be the back catalogue of the gallery magazine that begins with that l and i don't want to write without the line through it and get told off!! how do you do that scoring through thing on this?
that is all i have to say on the matter
that is all i have to say on the matter
I saw two shooting stars last night, i wished on them, but they were only satellites.
is it wrong to wish on space hardware?
(Billy Bragg)
is it wrong to wish on space hardware?
(Billy Bragg)
Re: Fresher's Fair. Art college.
You use the s (for strike-through) button at the end.
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Re: Fresher's Fair. Art college.
Raffle prize? I'm totally lost now....
I wrote Lxxxx the other day without a strike-through and so far i have lived to tell the ta
I wrote Lxxxx the other day without a strike-through and so far i have lived to tell the ta
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Re: Fresher's Fair. Art college.
we have been asked to donate a raffle prize too !
hey we have a button
hey we have a button
Heaven is a disaster
Lambchop , The Saturday option .
Lambchop , The Saturday option .
Re: Fresher's Fair. Art college.
logos
nice one swithun
nice one swithun
I saw two shooting stars last night, i wished on them, but they were only satellites.
is it wrong to wish on space hardware?
(Billy Bragg)
is it wrong to wish on space hardware?
(Billy Bragg)
Re: Fresher's Fair. Art college.
I saw two shooting stars last night, i wished on them, but they were only satellites.
is it wrong to wish on space hardware?
(Billy Bragg)
is it wrong to wish on space hardware?
(Billy Bragg)